In the late 1970s, Frank Florianz walked the streets of New York City with a camera and a clear eye. His photos didn’t try to hide the city’s rough edges. Instead, they focused on what was real—abandoned buildings, graffiti-covered trains, broken sidewalks, and people just trying to get through the day.
Florianz captured the city during one of its most unstable periods. Crime rates were high. Fires ripped through neighborhoods like the South Bronx. Trash strikes left piles of garbage in the streets. He photographed these moments without comment, letting the scenes speak for themselves. His lens showed a city worn out, but still moving.
He focused on people as much as places. His photos include street kids leaning against brick walls, old men sitting alone on stoops, and vendors working under flickering neon lights. Every subject looked like they had a story. Their faces didn’t smile for the camera. They stared directly at it or ignored it completely, locked in their own thoughts.
Florianz also photographed public housing projects, subway platforms, and city parks. He showed the places where people lived, waited, argued, and rested. His frames included piles of rubble next to playgrounds, and subway walls covered in bold spray paint tags. The city wasn’t cleaned up yet. His work made that clear.
At night, his photography took on a different tone. He shot wet streets glowing with the reflection of traffic lights. He caught quiet moments under streetlamps and shadows cast by chain-link fences. These photos showed the silence that lived beside the noise.
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