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Life Inside the Roman Catholic Orphan Asylum of Kingsbridge, Bronx, 1900s

In the early 1900s, travelers along the Boston Post Road in the Bronx saw a structure of immense scale rising from the landscape of Kingsbridge. This was the new Roman Catholic Orphan Asylum, a sprawling institution dedicated to the care of the city’s orphaned and destitute boys. Opened in 1902, the facility was a move from an older, more crowded building in Manhattan and represented a modern approach to child welfare, built on order, industry, and faith.

The main building itself was a monumental work of Beaux-Arts architecture. Designed by the firm of Schickel & Ditmars, the structure was composed of red brick and trimmed with pale limestone. A grand central administration building stood as the anchor, connected by long corridors to two massive dormitory wings that stretched out for hundreds of feet. This single building was so large that it functioned as a self-contained city, capable of housing, feeding, and educating over 1,000 boys at a time. The grounds covered many acres, containing not just the main building but also a separate power plant, multiple workshops, and extensive farmland.

Life inside the asylum was organized with military precision. The boys were divided into companies and divisions, with older boys often appointed as monitors to oversee the younger ones. Every moment of the day was scheduled, from the early morning wake-up call to the final lights-out. This strict regimentation was designed to instill discipline and order in children who often came from chaotic and unstable backgrounds. The Christian Brothers of Ireland were responsible for the direct supervision, education, and spiritual guidance of the boys.

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Education was a primary function of the asylum, with formal schooling provided up to the eighth grade. The curriculum focused on basic literacy and arithmetic. Parallel to academic studies was a heavy emphasis on industrial and vocational training. The goal was to equip each boy with a practical trade so he could be self-sufficient upon leaving the institution at age 14 or 16.

The asylum’s workshops were a hive of activity. In the print shop, boys learned the craft of typesetting and printing, producing materials for the asylum and the Archdiocese. In other shops, they were taught tailoring, shoemaking, and carpentry, creating the very clothes and shoes they wore and repairing furniture for the institution. A large portion of the boys worked on the asylum’s farm, cultivating acres of vegetables that supplied the massive kitchens.

Recreation was also a structured part of daily life. The institution was famous for its brass band. The boys in the band practiced relentlessly and became a celebrated musical group, frequently invited to perform in New York City parades and at civic events, marching in smart uniforms. Organized sports, especially baseball, were another key outlet, with teams competing against other local institutions. These activities provided a necessary release from the rigid discipline of the daily routine.

#1 Group portrait of children posed between brick buildings, possibly the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, June 7, 1920.

#2 Group of little girls posed on a small stage holding fans, probably at the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, ca. 1911.

#3 Group of little girls posed on the ‘steps to the chapel,’ probably at the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, ca. 1911.

#4 Graduating class of girls from the Roman Catholic Orphan Asylum posed on benches with their diplomas, 1912.

#5 Graduating class of girls from the Roman Catholic Orphan Asylum posed before the grotto with their diplomas, 1912.

#6 Group of little girls performing a dance with American flags on a small stage, probably at the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, ca. 1911.

#7 Small girls pose in and in front of a horse-drawn wagon in front of a building, probably the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, ca. 1910.

#8 Group portrait of little girls, probably at the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, ca. 1910.

#9 Group portrait of a girls’ chorus class gathered around a piano holding sheet music, probably at the Roman Catholic Orphan Asylum in Kingsbridge, Bronx, ca. 1911.

#10 Very small girls perform on a small stage, probably at the Roman Catholic Orphan Asylum in Kingsbridge, Bronx, ca. 1911.

#11 Group portrait of children from the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, in fancy dress for a Mother Goose party, ca. 1910.

#12 The Class of St. Mary’s (young girls) at the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, May 30, 1920.

#13 Group portrait of young girls in white, possibly at the Roman Catholic Orphan Asylum, Bronx, June 30, 1916.

#14 Group portrait of children from the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, seated on steps, ca. 1912.

#15 The youngest child at the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, ca. 1912.

#16 Group portrait of children from the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, in white dresses holding fans, ca. 1912.

#17 Graduating class portrait from the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, ca. 1912.

#18 A little girl at the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, ca. 1912.

#19 A girl at the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, ca. 1912.

#20 Sisters at the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, ca. 1912.

#21 Graduating class portrait from the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, ca. 1912.

#22 Hoopla Group portrait from the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, ca. 1912.

#23 PC group portrait from the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, ca. 1912.

#24 PC group portrait from the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, ca. 1912.

#25 Fr. Leiser’s group at the Roman Catholic Orphan Asylum, Kingsbridge, Bronx, ca. 1912.

Written by Dennis Saul

Content creator and Professional photographer who still uses Vintage film roll cameras. Not that I loved London less But that i Love New York City More.

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