In the gritty, vibrant heart of 1970s New York City, a captivating story unfolded amidst the urban decay and cultural melting pot of the East Village. Photographer Rich Allen documented the lives of children playing truant in an empty lot, chronicling their adventures and resilience. Among these children was Fernando Madrid, a young boy whose story weaves a fascinating tapestry of childhood in a bygone era.
Life on East 3rd Street
76 E. 3rd Street, a microcosm of the diverse East Village, was home to Fernando and his siblings. It was a world where Puerto Rican, Black, East Indian, and other cultures collided and coexisted. Rich Allen, dubbed “Picture Man” by the kids, would capture their youthful energy: climbing walls, building fires, and simply being children amidst the urban environment.
Fernando, with his inclination for playing ‘hooky’ from school, became the focus of Rich Allen’s photographic essay aptly titled “Hooky”. His escapades with his half-brothers, Orlando and Estebe, and other friends on those endless summer days formed the basis of an unstaged, documentary-style film. Allen followed the boys through their urban explorations – from neighborhood haunts to the West Village pool, across the Williamsburg Bridge, and even to the unfamiliar wonder of Chinatown.
A Child’s Eye View
Through Allen’s lens, the film reveals the city through the eyes of children who found adventure in every corner. Their journey by subway and on foot reveals a sense of boundless possibility. Fernando’s naive question as they gaze upon the vastness of the harbor – “How’d they get all the water in here?” – encapsulates the mix of awe and unfiltered curiosity that defines childhood.
Life on East 3rd Street might have been rough, but the spirit of Fernando and his companions shines through. There’s a joy and unselfconscious freedom in their play that transcends the urban backdrop.
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